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Tom Dankowski’s Settings For The Minelab Manticore


cjc

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  • The title was changed to Tom Dankowski’s Settings For The Minelab Manticore

Great post Clive, thanks. I’ve never heard of mixed mode called tone on tone however. Nautilus called it “dual mode.” In any case the it eventually came to be referred to as “mixed mode” and is what most people would call it these days.

 

 

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Ya that's true guess  my age is showing--"Mixed Mode" is what the Eagle manual termed it but the old timers  did call  it "tone  on tone."  Great learing tool and performance--lot of guys were nuts about the Nautilus on the Southern relic  sites back then and  still a few knocking about...Great article BTW this is the kind of information  that would help  new hunters to  make more practical sense of the tech we are presented with now. 

Regards 

clive

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Ya I  jumped  right on to Prospecting audio  with the NOX for the detail  it gives and  what  a great signal balancing trainer it is.  changes  in sens, speed  and bias are very telling.   It teaches you  how to get your responses to stand out.

Re/ foils. This is another great thing about  the Manti, it does let you hear the solidity of  targets and these light flecks  of  foil just sound weak.  I do think that Toms settings  will  allow more juice than  22 / though but this is a land  setting. Jacked way  up.  For tough, fast salt though 22 seems to be a good setting  for sure in simple Beach Wet.    Thanks for your insight, Brad exactly why I put the post up--to see how others are liking and  using this system. 

cjc

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I would also mention that this is not  a true "Mixed Mode" in that its only in the audio circuit.  A true "Mixed Mode" means that both detection circuits respond to all  targets.  With the Manti, targets are  competing for "sound."  There is a considerable depth boost though. 

cjc

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I've been using the same settings that Tom suggested, Brad uses and CJC just posted for a long time now. I pretty much hunt exclusively on the wet beach or in the salt water. I am more than pleased with these settings as I feel the sound in prospecting audio is very sharp and telling about depth, size and sometimes composition of the target. By composition I am referring to aluminum pieces that are irregular in shape and produce a sharper cut off sound than gold or copper. I have tried 5 tones, etc but keep going back to the prospecting audio. Tom has also just recently suggested trying Beach General IN the salt water as it is the second most sensitive setting (next to Beach LC) for gold. I have tried it twice now and am able to use a sensitivity around 19 / 20 comfortably in the water and am sure I can use more sensitivity once the Gulf water smooths out some more. He has changed the ferrous limits and type of GB with this approach, so more time is needed to tell if it is better for my location.

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13 hours ago, okara gold said:

Tom has also just recently suggested trying Beach General IN the salt water as it is the second most sensitive setting (next to Beach LC) for gold. I have tried it twice now and am able to use a sensitivity around 19 / 20 comfortably in the water

One has to be SO CAREFUL using Florida settings elsewhere. 

On our live testing, Beach General did not fare well. I suggest testing FRINGE buried gold to understand what will work in your location.  On Minelab products don't ever discount sensitivity. Higher sensitivity in what might be considered lessor preferred modes just might surprise . 

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